| Performed on a raked stage that was open but graced by painted false prosceniums representing Elizabethan astrology this production had a Minimalist look while set in the 1930s. Trap doors released plumes of fog that beheld the ghost of Caesar. Back stories of Calphurnia and Portia were explored on-stage to show how they reacted to the deaths of Caesar and Brutus. |  |
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